Showing posts with label Vivitar Series 1 105mm f/2.5 1:1. Show all posts
Showing posts with label Vivitar Series 1 105mm f/2.5 1:1. Show all posts

Wednesday, February 24, 2010

105mm Kiron Iterations



The Kiron 105mm is, in my experience, one of the most talked about third party macro lenses when it comes to manual focus lenses. It excels in performance, goes to 1:1 without the need for clumsy extensions or tubes, and most of all, is quite accessible. The lens can be had for a relatively modest price on auction sites (most of the time). I have heard many stories of them popping up at local shops and garage sales for a couple dollars. The best news is: There are plenty of these lenses to go around! Due to the popularity of this lens when it was first marketed and numerous branding variations, finding a Kiron 105mm really isn't the proverbial "needle in a haystack". In fact, aside from searching Kiron 105mm, there are a number of other cosmetic variations that may get you the same, or similar performance. You just need to know what you are looking for!

Model Variation


The Kiron 105mm was incarnated in a number of other iterations. I am still finding (and people are bringing to my attention) more lenses that are rebranded Kirons. Thus far, I am aware that the Kiron 105mm f/2.8 lens can be found in these physical iterations:

- Kiron 105mm f/2.8
- Lester A. Dine 105mm f/2.8 (Dental lens, often labeled with a dental focusing guide)
- Rikenon 105mm f/2.8
- Rolleinar 105mm f/2.8
- Vivitar 105mm f/2.5
- Vivitar 100mm f/2.8

While differing cosmetically, each of these lens variations contains an identical optical formula and is manufactured by Kino Precision, according to everything I have read thus far. The Kiron and Lester Dine models look the same with only extremely minor differences (noted below). The Vivitar 100mm and Rikenon 105mm models also look relatively the same. The Vivitar Series 1 105mm is unique in it's appearance. I have also just been informed of a possible Rolleinar incarnation, the Rolleinar 105mm f/2.8.

Kiron 105mm f/2.8

The Kiron 105mm f/2.8 lens in its sleek, black glory.


Lester A. Dine 105mm f/2.8

The Lester A. Dine version is typically identical looking to the Kiron, just marketed to dentists. It will have some extra markings on the distance scale and possibly a supplementary adhesive scale specifically designed for dental photography denoting intra-oral regions. The version pictured below on the left demonstrates the "field size" markings in contrast to the original Kiron version on the right.


Below is an image I found on the Pentax forums showing the adhesive dental scale:



Rikenon 105mm f/2.8

Below is the rarer Rikenon 105mm version of this lens*.


Rolleinar 105mm f/2.8


It has been brought to my attention (Thanks JC) that Rollei may well have rebranded a Kiron 105. The Rolleinar 105mm f/2.8 looks cosmetically and mechanically identical to the Kiron 105. I haven't yet come across any optical diagrams of the Kiron to compare with that of this Rollei but the current similarities lead me to believe the Rolleinar is Kiron's optically identical sibling. Here is a page on Rollei lenses with the 105mm midway down the page.

Vivitar Series 1 105mm f/2.5



Vivitar 100mm f/2.8

Similar to the Rikenon 105mm, the Vivitar 100mm iteration appears to have the same overall proportions, grip, and built-in hood, but with lens notation printed on front of the barrel, near the optics, rather than the outer edge.




*Images I have not made on this blog will be noted by the originator (in this case, osgood521 and Samy's Camera). I request permission to use them. I do however often put them on white, tweak WB, add some curves, retouch, and finish the overall layout.


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Performance


After collecting a few of these iterations, my curiosity led me to a comparison. First off, it should be noted, with any lens, there can be variation in image quality even between two identical models. So along with looking into differing image quality between these models, I also can be sure (if they truly are identical optical formulas) my assessment of the lens sharpness is accurate.

All the talk on the web tends to hyperbolize the greatness of this lens, namely that this is the greatest macro lens ever made. I would have to disagree with that statement, based on optical performance. Not that the Kiron 105mm isn't an excellent lens, but the best ever made, no. Below I have, as many others, used a $1 bill as a practical subject matter. The left crop is the eye in the tip of the pyramid while the right is a small detail near the upper right corner of the frame. I have only chosen to include the wide open performance crops. Stopped down, these lenses are excellent. Certainly as sharp as most anyone will need. Below is a key to where the crops came from:

I often interested in how a lens will do wide open (because why buy a fast lens, if it won't perform at that aperture?). At f/2.8 (the Vivitar 105mm version is marked f/2.5 but is actually f/2.8) this is the performance of each iteration:

Lester A. Dine 105mm f/2.8 Crop
Kiron 105mm f/2.8 Crop
Vivitar 105mm f/2.5 Crop

For the sake of argument, I actually do own a lens that is sharper wide open than these 105's. My favorite Vivitar Series 1 90mm f/2.5. Interestingly enough, these lenses tend to go for a considerable amount less than any of the 105mm version lenses, despite being sharper. My assumption is this is due to the fact that the 105 can go all the way to 1:1 reproduction rate without the need for extension tubes or macro extenders (such as the 90mm).

Vivitar Series 1 90mm f/2.5 Crop

Conclusion

The Kiron and Dine do appear a tad sharper than the Vivitar. This could be due to tester error though I was sure to check focus every shot. Also, it could be due in part to the aforementioned sample variation. The Vivitar just may be a softer sample. Either way, the tests show consistent CA wide open. The S1 90mm has always been stunningly sharp wide open. In this test, center appears a tad softer than the center of the Dine but through field use, the 90mm always proves extremely sharp wide open (as well as MTF charts etc). This is the largest reason I love this lens. It is an f/2.5 lens, and can be used optimally, at f/2.5! Also the CA does appear to be more controlled (though upon very close inspection, especially under more severe circumstances, the 90mm definitely does produce some CA). The 105's are unmistakeably excellent lenses. Focusing distance, easy 1:1 focusing, beautiful industrial design, etc. Although I did not have the opportunity to test the other variations, I would believe they will perform very similarly.

As can be seen in the upper left hand corner of the Key image, the dollar tended to curl a tad despite being taped down. This test was improvised and a bit hurried.

Links/Resources

For a larger scale test incorporating more than just the Kiron 105's check this macro comparison out.

Wednesday, October 7, 2009

Vivitar Series 1 105mm f/2.5 1:1 Macro Lens




October 2010
I have updated this post a little more and have since acquired a Kiron 105mm, Lester A. Dine 105mm, and this Vivitar lens in Nikon F (AI) mount. I previously was using an MD mount via an optic-less adapter. Also, after much more exploration into the Series 1 lenses, I must say in terms of design while I originally stated this was the best in terms of design ever, I must redact that statement as I have come across some beautiful pieces that now have me "on the fence".

Recommendations

This is a great lens. But if given the choice between this and the Kiron/Dine, in terms of performance, I would have to point you to the Kiron/Dine. Both my Vivitar copies rendered softer macro images than these other models. And if you're really looking for sharpness and performance from a macro, just get the Tokina 90mm f/2.5 and forget about the rest of them (unless you need 1:1 without messy adapters). Want the best looking of the group? Then by all means, get the Vivitar!



In my opinion, the Vivitar 105mm is one of the smoothest, most aesthetic lenses ever designed. Definitely one of my all-time favorites. I have been known, at times, to select/purchase lenses based solely on their aesthetics, only later hoping to discover the lens has the accompanying optical merit. Sort of the wrong approach when
thinking about trying to achieve superior output. This was not, however, one of those purchases. I actually did my homework (for once!) and spent some time looking for a good sample of this lens to come along. Also looking for the right price.

Cat's outta the bag now. This lens is awesome. Often referred to as a cult classic, look for a 105mm Dine, Kiron, or Vivitar such as this one and you will be buying the same optical formula in a different outer package so to speak. That's not to say, however all these lenses perform the same. As of October 2010 prices seem to be on a lower end for what I have seen, perhaps due to the economic climate.


Aesthetics/Cosmetics


I cannot say enough, this lens feels great in the hand. Focus is extremely smooth and the long-throw just makes for greater precision. The focus ring is a smooth, durable, foam-like rubber. Every edge of the fully metal construction appears precision cut. Upon closer inspection, you can see and even feel the tiny grain in the metal from the machining. I have always loved lathes and the way machined stock feels. The Kiron and Dine version of this lens both handle very similarly. I prefer the larger lip of the lens hood on the Vivitar 105 to the slimmer hood of the other variations. The Vivitar's hood also retracts and stays whereas the other 105 versions I have owned have had a little more play in them.

All versions of this lens appear to be multi-coated. I have not noticed much of a difference in contrast, flare control, or anything else optically in regards to this so I would say of those three, they should all be pretty solid. I have not used any of the other iterations which are a bit older and may have slightly more archaic coatings.


Specifications






Focal length: 105mm
Filter thread: 52mm
Min. Aperture: f/2.5
Max. Aperture: f/32
Angular field of view (diagonal): 24°
Elements/groups: 6/6
Min. focusing distance: 13.8" (35 cm)
Aperture blades: 8
Dimensions: 102mm x 72mm
Weight: 10.9 oz (656 g)

Specification info from Photodo.com

Performance



It's an oldie and thus is fully manual. I have seen numerous listings on eBay which cite old age and poor eyesight as the cause for the sale. Older folks are moving to auto-focus. While I still have my eye-site, when doing macro work, I always manual focus.

Along with the slick industrial design, this lens proves itself optically, a worthy opponent of the best macro lenses even today. It did not achieve cult status for no reason. It is sharp. Chromatic aberration occurs at f/2.5, is extremely minor at f/4, and effectively gone by f/5.6. After more use, I noticed some softness wide open. This normally wouldn't be an issue had it not been for Vivitar's Series 1 90mm f/2.5 and Tokina's later 90mm sibling which demonstrated amazing sharpness wide open. In fact, even Kiron's own 105mm and the Lester A. Dine dental version perform superior to Vivitar's 105mm wide open.
See a comparison here. Michael McBroom (Blogger and reader of this blog) commented, "Perhaps Kiron kept the best of them back for their own brand name?" I think this is a great hypothesis!

Reportedly, the Vivitar Series 1 105mm does not perform very well at longer distances. I never did get around to checking this. I can't say I really ever looked to using this lens for anything but macro work.


Wrap-up


This is a great macro lens save for minor chromatic aberration at early apertures. I have not used it for portraits, but if spending the money, from what I can tell (and what I hope to test when I have more money) better portrait/macro lenses exist. I'm sure it would perform beautifully in its own right though, especially given it is a hair soft wide open. For use near infinity, apparently this lens is nothing special but I never tested this. Physically, the lens is gorgeous. I would pick one up just to put it in a display (but I would get more pleasure out of using it!). Its optical performance and design combined with its shortcomings certainly explain the "cult" status. While for some it is a capable, solid, marvel of industrial design. A true personification of the old maxim, "they don't make 'em like they used to". Others may find it heavy, klunky, inconvenient and overall obsolete.

If you find one for a good price (Especially in a Nikon F mount. Other mounts are not worth as much since they are not as compatible with current DSLRs) I would recommend picking it up without a second though. You will most likely be able to give it a try and at worst resell it for a full return on your money.